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Full metal jacket common sense media
Full metal jacket common sense media





full metal jacket common sense media

There reaches a point, however, at which Killer's Kiss begins to morph into an unexpectedly compelling film noir, as the narrative begins revolving around Davey and Gloria's efforts at escaping from Vincent's increasingly nefarious clutches. (There are, having said that, a number of striking shots that almost compensate, including a memorable nighttime sequence in which a character walks through New York's Times Square.) The less-than-enthralling vibe is compounded by a narrative that is, to put it mildly, rather disjointed, with the almost total lack of an entry point holding the viewer at arms length for much of the movie's opening 45 minutes. It's clear that Killer's Kiss requires a great deal of patience from the viewer, as much of the movie's first half suffers from the feel of a rather unimpressive student film - with director Stanley Kubrick exacerbating this feeling by suffusing the proceedings with needlessly ostentatious visual choices. Killer's Kiss follows boxer Davey Gordon (Jamie Smith) as he meets and falls for a beautiful dancer (Irene Kane's Gloria), with problems ensuing as Davey subsequently raises the ire of a shady nightclub owner named Vincent (Frank Silvera). It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature-length running time (ie the whole thing feels padded-out even at 61 minutes), with the movie's less-than-consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye-catching visual sensibilities of its preternaturally-talented director. (One of the soldiers remarks, for example, that "sometimes, as I look at these maps, I wonder if my own grave isn't being planned.") There's little doubt, though, that Kubrick's solid eye for compelling visuals is firmly in place even at this nascent stage in his career, and it's worth noting, too, that the movie boasts a very small handful of genuinely compelling sequences (eg Mazursky's unhinged character is left alone with a woman from a nearby village). It's an exceedingly thin premise that's employed to sometimes striking yet often underwhelming effect by Kubrick, with the picture suffering from a decidedly amateurish feel that's compounded by less-than-accomplished performances and an ongoing emphasis on overwrought, unconvincing dialogue and narrative.

full metal jacket common sense media

Stanley Kubrick's directorial debut, Fear and Desire follows four soldiers (Frank Silvera's Mac, Kenneth Harp's Corby, Paul Mazursky's Sidney, and Stephen Coit's Fletcher) as they're stranded behind enemy lines and eventually forced to fend for themselves.







Full metal jacket common sense media